Hey malone, do you know these movies from Germany :
Heart Of Glass (Herz aus Glas)
The American Friend (Der Amerikanische Freund)
Wings Of Desire (Der Himmel über Berlin)
Paris, Texas
Aguirre, the wrath of God
etc ?
I reckon he has never seen a movie from the 70ies.
I don't like Wim Wenders. Some of his earlier stuff is quite watchable (
American Friend, Alice in den Städten, Im Lauf der Zeit), but all this lyrical angel business is just not my cup of tea.
Otherwise, German movies from thew 70ies are awesome. We've never had as much talent as then: Fassbinder, Herzog, Schamoni, Kluge, Straub, Schlöndorff, Klick, etc...
German movies hadn't recovered from the exodus in the early 30ies when the Nazis destroyed the vibrant film industry. Just think of all the great people who either fleed or were murdered (Fritz Lang, Billy Wilder, Otto Preminger, Fred Zinnemann, the Siodmaks, Max Ophüls, Kurt Gerron).
The Seventies renaissance was a direct result of the leftist student uprising in the Sixties. The last remnants of the Nazi era were wiped off the screen.
My personal favorites:
- Warum läuft Herr R. Amok? (1969, Fassbinder)
- Deutschland im Herbst (1977, collective effort of various directors)
- Angst essen Seele auf (1974, Fassbinder)
- Abschied von gestern (1966, Kluge)
- Artisten in der Zirkuskuppel: ratlos (1968, Kluge)
- Gelegenheitsarbeit einer Sklavin (1973, Kluge)
- Es (1965, Schamoni)
- Auch Zwerge haben klein angefangen (1969, Herzog)
- Die Sehnsucht der Veronika Voss (1982, Fassbinder)
- Supermarkt (1974, Klick)
- 48 Stunden bis Acapulco (1968, Lemke)
- Die verlorene Ehre der Katharina Blum (1975, Schlöndorff)
Almost all of these movies are in one way or the other highly political. That was the spirit of the 70ies: We had the desire to get the load of 40 years of perceived repression of our chests. The better that it happened in movies, too.
The ironic thing is that these pictures were not overly successful commercially. The box office hits ironically were softcore porn films (
Schulmädchen-Report) and superficial tearjerkers based on the novels by J.M. Simmel.
{enough! nobody will read this, anyway...}